Related Items:#honouringrobstewart, #magneticmedianews Facebook Twitter Google+LinkedInPinterestWhatsApp Facebook Twitter Google+LinkedInPinterestWhatsAppTurks and Caicos, May 9, 2017 – Providenciales – Today, the Department of Environment and Coastal Resources (DECR) and the Reef Action Team (RATs) students from British West Indies Collegiate will be honouring the life of Rob Stewart, the Canadian Filmmaker of the award-winning documentary ‘Sharkwater’. Stewart died in February this year, in a diving accident at the Queen of Nassau wreck near the Florida Keys. Rob Stewart, who was 37, was filming a sequel for his documentary at the time of his death.Reports say that Stewart and his diving instructor, Peter Sotis went deep diving three times near the wreck. But after emerging for the third time, Sotis began to lose consciousness. While the crew tended to him, Stewart disappeared into the water. His body was discovered 3 days later, around 220 feet under the surface.The honourary event will be held at the National Environmental Centre, Lower Bight Road, Providenciales from 4:00 – 5:00 PM.#magneticmedianews#honouringrobstewart
Murdoch could not immediately be reached for comment. Tesla did not respond to a request for comment. Twenty-First Century Fox declined to comment.Musk is the public face of Tesla, and any chairman would have to contend with his powerful personality. Thanks to his vision and audacious showmanship, Tesla’s valuation has at times eclipsed that of traditional, established U.S. automakers with billions in revenues and the company has garnered legions of fans, despite repeated production issues.”The question when it comes to James Murdoch is, ‘Is he the guy who’ll be able to establish that level of authority with Elon Musk?'” asked Abby Adlerman, CEO of Boardspan, a corporate governance consulting company.Investor concerns that Tesla’s board was too closely tied to Musk led to the company’s addition of two independent directors, including Murdoch, in July 2017.Earlier this year, leading U.S. proxy advisers Glass Lewis & Co and Institutional Shareholder Services, and union-affiliated investment adviser CtW Investment Group, had recommended investors cast votes “against” the re-election of Murdoch as a Tesla director at the company’s annual meeting held on June 5.While CtW cited a lack of relevant experience and a “troubled history as an executive and director,” both proxy firms warned that Murdoch already served on too many boards.He stepped down from the board of Sky Plc on Tuesday following the completion of Comcast Corp’s takeover of the broadcaster.Murdoch was forced out as chairman of Sky, then BSkyB, in 2012 after being embroiled in Britain’s phone-hacking scandal. He returned to Sky’s board in 2016 after rebuilding his career at Fox.Glass Lewis research director Courteney Keatinge said on Wednesday that while Murdoch’s departure from Sky could alleviate some concerns, the Tesla chairmanship would still require a big time commitment as the company faces pressures on many fronts.”I would still have reservations about the time he would be able to allot to this,” Keatinge said.According to the FT report, external options were still being considered.Considering a broad choice of candidates was important, said Dieter Waizenegger, executive director of CtW Investment Group, because “Investors should really be wary about the board making the easy choice here” in opting for Murdoch.Murdoch is set to be succeeded by his brother Lachlan Murdoch as Twenty First Century Fox chief executive officer, after the media group completes the sale of bulk of its assets to Walt Disney.’STABILITY AT THE TOP’Tesla faces a crucial moment as it struggles to produce its Model 3 sedan in large volume and deliver it quickly to customers amid an ongoing cash crunch that has concerned some analysts. Musk has vowed that the loss-making company will be profitable and cash flow-positive in its third and fourth quarters.Concerns about Musk due to production delays and manufacturing challenges have been exacerbated by a series of damaging actions, including Musk insulting analysts on a conference call, calling a British cave rescuer a pedophile, and joking on April Fool’s Day that Tesla was going bankrupt.Shares are down 20 percent since the beginning of the year.”Elon Musk is building a great company but has been erratic to say the least when it comes to thinking about his investors,” said Chaim Siegel, an analyst at Elazar Advisors. “The company needs some added stability at the top to win back investor confidence.”Under terms of the SEC settlement, Musk is not permitted to be re-elected to the chairman’s post for three years. Tesla is also required to appoint two new independent directors to its board.With U.S. stock markets broadly lower, Tesla shares closed down 2.3 percent at $256.88. SpaceX CEO Elon Musk speaks at the International Astronautical Congress on September 29, 2017 in Adelaide, AustraliaGetty imagesOutgoing Twenty-First Century Fox Inc Chief Executive James Murdoch is the lead candidate to replace Elon Musk as Tesla Inc chairman, the Financial Times reported on Wednesday, but Musk in a tweeted reply to the newspaper said, “This is incorrect.”Tesla has until Nov. 13 to appoint an independent chairman of the board, part of settlements reached last month between Tesla, Musk and U.S. regulators in the wake of Musk tweeting in August that he had secured funding to take the electric car maker private.The SEC settlement capped months of debate and some investor calls for stronger oversight of Musk, whose recent erratic public behaviour raised concerns about his ability to steer the money-losing company through a rocky phase of growth.The U.S. Securities and Exchange Commission, which said Musk’s tweeted statements about going private were fraudulent, allowed the billionaire to retain his role as CEO while requiring he give up his chairmanship.Musk had said he was considering taking Tesla private at a price of $420 a share, a number that is slang for marijuana. He tweeted the three-word denial of the Financial Times story, on Wednesday at 4:20 pm PT (2320 GMT), about six hours after the newspaper’s post.In a vote of confidence for Musk, shareholder T. Rowe Price Group Inc said in a regulatory filing on Wednesday that it had raised its stake by nearly half to 10.2 percent at the end of September from just under 7 percent in June.The Financial Times cited two people briefed on discussions saying Murdoch was the lead candidate for the job.Murdoch, already an independent director of Tesla, has signalled he wants the job, the report said.The son of Fox mogul Rupert Murdoch, he joined Tesla’s board last year after years of work with media companies. He has no experience in manufacturing and has never led a company that makes cars or electric vehicles.
Sony Pictures Television is folding the Crackle Latin America subscription VOD service, which has 400,000 subscribers across 17 countries, after concluding the business isn’t economically viable.Crackle Latin America first launched in April 2012 as an ad-supported streaming service — like the U.S. version of Crackle — before switching in 2016 to a subscription video-on-demand model, distributed through pay-TV partners. Crackle Latin America will shut down effective April 30, 2019, the result of Sony Pictures’ company-wide strategic review of its portfolio to prune underperforming divisions.“After much consideration, we have decided that Crackle Latin America is not sustainable in the present highly competitive local environment,” Keith Le Goy, Sony Pictures’ president of worldwide TV distribution, wrote in a memo to staff Thursday, a copy of which was obtained by Variety. With the shutdown, 17 employees will be let go. Crackle Latin America has been operated out of Miami with staff spread across offices in L.A., Mexico, Brazil, Argentina and Colombia.Sony’s Crackle Latin America was run separately from Crackle in the United States. Last summer, SPT revealed plans try to sell a stake in the Crackle U.S. business to a strategic partner, after years of mulling various options — including a possible sale — for the ad-supported VOD streaming network. Meanwhile, Sony shut down the Crackle Canada AVOD service in June 2018. SPT still operates a free, ad-supported Crackle service in Australia.In the Latin American markets, the Crackle SVOD service carried Crackle original series produced out of the U.S. as well as in-language versions of Sony movies like “Hotel Transylvania” and Adam Sandler’s “Big Daddy,” “Grown Ups 2” and “Click.” Third-party content on the service has included “Captain America,” “Finding Nemo” and TV series “Scorpion.”Some Crackle originals will find a home on Sony’s Canal Sony and AXN channels in the region, which Le Goy described in the memo as “strong brands achieving solid growth” that “among the top cable channels in Latin America.” Pricing for Crackle Latin America services was around $5 per month but varied across the region, with cable operators and other affiliates setting the retail price.Read Le Goy’s full memo:SPT team –I wanted to make you all aware of an important upcoming change in our networks business in Latin America. As of April 30, we will discontinue the Crackle Latin America SVOD service.As you know, an important part of our reimagine efforts has been a top-down review of our current businesses to determine their strength and growth potential in today’s marketplace. After much consideration, we have decided that Crackle Latin America is not sustainable in the present highly competitive local environment.The decision to close Crackle Latin America is unrelated to the U.S. Crackle business, which is operated independently as an ad-supported AVOD service. We continue to explore potential strategic partnerships for Crackle in the U.S. and will share more information when possible. While we are closing the Crackle Latin America service, OTT/direct-to-consumer remains an incredibly important area for our evolving industry and we will persist in exploring other opportunities in the space. We also remain focused on our existing core business and channels in the region, Canal Sony and AXN. They are strong brands achieving solid growth and are among the top cable channels in Latin America. We will continue to think big, innovate and invest in these assets and other new prospects that we believe have great potential for our business and our viewers.We are proud of the accomplishments achieved in building Crackle Latin America into a service with more than 65 MSO affiliates across 17 countries and a loyal subscriber base from the ground up. I would like to personally thank our dedicated colleagues who have worked on Crackle Latin America over the past almost seven years. We greatly appreciate your hard work and contribution to SPT’s overall growth in the region.– Keith Popular on Variety ×Actors Reveal Their Favorite Disney PrincessesSeveral actors, like Daisy Ridley, Awkwafina, Jeff Goldblum and Gina Rodriguez, reveal their favorite Disney princesses. Rapunzel, Mulan, Ariel,Tiana, Sleeping Beauty and Jasmine all got some love from the Disney stars.More VideosVolume 0%Press shift question mark to access a list of keyboard shortcutsKeyboard Shortcutsplay/pauseincrease volumedecrease volumeseek forwardsseek backwardstoggle captionstoggle fullscreenmute/unmuteseek to %SPACE↑↓→←cfm0-9Next UpJennifer Lopez Shares How She Became a Mogul04:350.5x1x1.25×1.5x2xLive00:0002:1502:15
In this image from the video below, computers, robots, and humans perform together in the Machine Orchestra, which uses the captured musical gestures. Image credit: Ajay Kapur. A demonstration of the gesture recognition system: in the second half of the video, the recognition system is parsing the events. When it detects a rim hit, it changes its pre-set processing on the physical modeling. Video credit: Adam Tindale. “The main advantage of the method is that it allows large amounts of training data for machine learning algorithms to be acquired without human annotation simply by playing an instrument enhanced with sensors,” Tzanetakis told PhysOrg.com. “Once the surrogate sensor has been trained and its performance evaluated, then it can be used in place of the actual physical sensor on unmodified instruments of the same type.” Citation: Human-computer music performances use system that links music and musical gestures (w/ Video) (2010, November 9) retrieved 18 August 2019 from https://phys.org/news/2010-11-human-computer-music-links-musical-gestures.html The system overcomes the previous difficulties in that it doesn’t hinder the performers or their instruments when performing, and doesn’t require large amounts of processing and analysis, greatly reducing time requirements. For instance, data from snare drum samples that took nearly a week of manual labor can be processed in less than an hour with the new method.The researchers demonstrated the system with professional musicians playing electronic sitars and electronic snare drums. The results showed that the trained surrogate sensors can accurately determine musical gestures when different musicians were performing, and not only the performer who was used to train the surrogate sensor. Further, any kind of performing (such as improvisation or playing a song) could be used to train the surrogate sensor. Musical illusion fools audiences and performers, says researcher This document is subject to copyright. Apart from any fair dealing for the purpose of private study or research, no part may be reproduced without the written permission. The content is provided for information purposes only. More information: — Adam Tindale, et al. “Training surrogate sensors in musical gesture acquisition systems.” IEEE Transactions on Multimedia. To be published. DOI:10.1109/TMM.2010.2089786 .—www.adamtindale.com In a new study, researchers have developed a method for capturing musical gestures and mapping them to sounds that overcomes some of the disadvantages of previous methods. Adam Tindale, Ajay Kapur, and George Tzanetakis – all trained musicians and computer scientists working at the University of Victoria in Victoria, Canada – have described the new method in a study to be published in IEEE Transactions on Multimedia. The method grew out of the authors’ experiences in developing instruments for interactive human-computer music performances. At the time, Tindale and Kapur were both completing their PhDs at the University of Victoria. Tindale now works at the Alberta College of Art and Design and Kapur works at the California Institute of the Arts and the New Zealand School of Music.As the researchers explain in their study, there are two main approaches for capturing musical gestures. One approach is direct acquisition, which involves attaching permanent sensors to instruments to create “hyper-instruments.” However, this approach is often invasive to performers and requires modification of expensive instruments. The second approach is indirect acquisition, which involves using a microphone to capture the sound, as well as sophisticated signal processing and machine learning algorithms to extract gestures from the sounds, which requires large amounts of training.The researchers’ new method is somewhat of a hybrid of these two approaches. They temporarily attach sensors to an instrument to capture musical gestures and a microphone to capture sound. This data is analyzed, and the gesture-sound mappings are used to train machine learning models to extract gestures from sounds only. These machine models then create what the researchers call a “surrogate sensor,” which behaves like the original invasive sensor but is not attached to the instrument. The surrogate sensor can determine the musical gestures based only on the analyzed sound captured from the microphone. (PhysOrg.com)—Every musical sound comes from a specific way that an instrument is played. With modern technology such as sensors, signal processing, and sometimes machine learning algorithms, researchers can determine the precise musical gesture used to produce a particular sound on an instrument. The ability to recreate musical gestures from sounds can be used for interactive human-computer music performances, music transcription, and other innovative applications. Copyright 2010 PhysOrg.com. All rights reserved. This material may not be published, broadcast, rewritten or redistributed in whole or part without the express written permission of PhysOrg.com. Explore further Computers, robots, and humans, including coauthor Ajay Kapur, perform together in the Machine Orchestra. Credit: Ajay Kapur In the future, the researchers plan to make the system more sensitive to additional features, such as training it to recognize the type of mouthpiece used by a woodwind instrument and the string on which a note is played on a violin. Both Tindale and Kapur currently use the system during musical performances, as shown in the accompanying videos. “Basically, the gesture information extracted is typically used in the following ways,” Tzanetakis explained. “(1) To map performance information to sound and a music generation algorithm that react in real-time expressively to the music; (2) to drive animations and visuals; (3) to synthesize sounds parametrically (for example, a synthesized drum sound might change based on where the snare drum is hit); and (4) to do analysis of the music played (for example, automatically tracking the tempo) in the context of computer-controlled robotic instruments interacting with humans.”